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c. 1445 – May 17, 1510. Italian painter.

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Dosso Dossi
circe

ID: 71076

Dosso Dossi circe
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Dosso Dossi circe


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Dosso Dossi

1479-1542 Italian Dosso Dossi Locations Italian painter of the Ferrarese school, whose real name was Giovanni di Niccolo de Luteri. He may have been a pupil of Lorenzo Costa, but was certainly influenced by Giorgione, Titian, and Raphael. He often collaborated with his brother Battista, a landscape painter. Dosso Dossi is first recorded in Mantua, but after 1514 he executed many decorative works for the ducal palace and churches of Ferrara, including frescoes, pictures, and cartoons for tapestries. Both his landscapes and portraits show originality and imagination. He was a friend of Ariosto, who mentions him in Orlando Furioso. His works include Circe in the Woods (Borghese Villa); The Three Ages of Man (Metropolitan Mus.); The Standard Bearer, Scene from a Legend, and Saint Lucretia (National Gall. of Art, Washington, D.C.).  Related Paintings of Dosso Dossi :. | Madonna and Child | The Rest on the Flight into Egypt_4 | Jupiter, Mercury and Virtue | The Adoration of the Kings | Madonna and Child |
Related Artists:
August Christian Hauck
(1742 -1801 ) - Painter
William James Muller
British Painter, 1812-1845, English landscape and figure painter, was born at Bristol, his father, a Prussian, being curator of the museum. He first studied painting under JB Pyne. His early subjects deal mainly with the scenery of Gloucestershire and Wales, and he learned much from his study of Claude, Ruysdael, and earlier landscape-painters. In 1833 he figured for the first time in the Royal Academy with his "Destruction of Old London Bridge--Morning," and next year he made a tour through France, Switzerland and Italy. Four years later he visited Athens, extending his travels to Egypt, and in the sketches executed during this period and the paintings produced from them his power and individuality are apparent. Shortly after his return he left Bristol and settled in London, where he exhibited regularly. In 1840 he again visited France, where he executed a series of sketches of Renaissance architecture, twenty-five of which were lithographed and published in 1841, in a folio entitled "The Age of Francis I. of France." In 1843 he accompanied,
John Longstaff
Australian war artist, 1862-1941






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